Corruption: Everybody Knows

Moyra Davey, Assets, 1989. C-print, 30 x 40 in. Courtesy the artist and Murray Guy. Corruption accesses the state body as both a natural and mystical corpus, eventually producing a third phantom body—corrosive and self-extending—emitting from an inside as techniques of social performance, bureaucratic desire, and conversion in the very terms of ethical life. A … Continue reading