https://natashaginwala.com/about/https://natashaginwala.com/wp-content/uploads/2020/01/dsc_9192.jpgDSC_9192https://natashaginwala.com/wp-content/uploads/2010/05/natashaginwalaphoto.jpgNatasha Ginwala2020-01-02T10:22:43+00:00weekly0.6https://natashaginwala.com/2017/12/28/louis-henderson-geophysical-matters/https://natashaginwala.com/wp-content/uploads/2017/12/lettresduvoyant_20449543_web_0-e1514438562116.jpglettresduvoyant_20449543_web_0Still from Louis Henderson's Lettres du Voyant, 20132017-12-28T05:23:06+00:00monthlyhttps://natashaginwala.com/2017/12/26/hearings-a-reader-at-contour-biennale-8/https://natashaginwala.com/wp-content/uploads/2017/12/hearings_contour-biennale-reader_cover_364.jpgHearings_Contour-Biennale-Reader_cover_3642017-12-27T09:00:26+00:00monthlyhttps://natashaginwala.com/2012/04/28/there-was-a-country-where-they-were-all-thieves/https://natashaginwala.com/wp-content/uploads/2012/04/535362_3530554977862_1091868121_3412495_2146196383_n.jpgStill from Better Future, Wolf-Shaped (from Future Trilogy), 2008Pil & Galia Kollectiv still from Better Future, Wolf-Shaped (from Future Trilogy), 2008 16mm transfered to DVD 15'00 min.https://natashaginwala.com/wp-content/uploads/2012/03/535362_3530554977862_1091868121_3412495_2146196383_n.jpgPil & Galia Kollectiv still from Better Future, Wolf-Shaped (from Future Trilogy), 2008 16mm transfered to DVD 15'00 min. 2017-12-27T08:33:36+00:00monthlyhttps://natashaginwala.com/2012/11/04/shapes-of-the-unspeakable/https://natashaginwala.com/wp-content/uploads/2012/11/becde_jan28_bak.jpgbecde_jan28_bakChristoph Schlingensief, “Ausländer raus—Bitte liebt Österreich”, 2000. Photo collage: Paul Poet2017-12-27T08:27:41+00:00monthlyhttps://natashaginwala.com/2010/01/28/some-quotes-jaipur-literature-festival-2010/2017-12-27T08:20:58+00:00monthlyhttps://natashaginwala.com/2017/12/27/bani-abidi-an-unforeseen-situation/https://natashaginwala.com/wp-content/uploads/2017/12/bani-abidi-2.jpgbani-abidi-2https://natashaginwala.com/wp-content/uploads/2017/12/bani_unforeseen.jpgBani_unforeseen2017-12-27T07:43:06+00:00monthlyhttps://natashaginwala.com/2017/12/27/in-memoriam-k-g-subramanyan-1924-2016/https://natashaginwala.com/wp-content/uploads/2017/12/anatomy-lessons_kgs.jpgLayout 12017-12-27T06:23:54+00:00monthlyhttps://natashaginwala.com/2017/12/27/in-memoriam-lala-rukh-1948-2017/https://natashaginwala.com/wp-content/uploads/2017/12/d14_lala_rukh_hieroglyphics_odeion_c2a9_stathis_mamalakis-019.jpgLala RukhHieroglyphics I: Koi ashiq kisi mehbooba se 2 and 3 (1995) Ink on paper Hieroglyphics I: Koi ashiq kisi mehbooba se 2 and 3 (Ιερογλυφικά I: Koi ashiq kisi mehbooba se 2 και 3, 1995) Μελάνι σε χαρτί Hieroglyphics II: Hara samundar 1–4 (1995) Ink on paper Collection of Sajida Vandal Hieroglyphics II: Hara samundar 1–4 (Ιερογλυφικά II: Hara samundar 1-4, 1995) Μελάνι σε χαρτί Συλλογή: Sajida Vandal Hieroglyphics V: Qat-ektaal (2008) Silver paint on carbon paper Collection of Amrita Jhaveri Hieroglyphics V: Qat-ektaal (Ιερογλυφικά V: Qat-ektaal, 2008) Ασημένιο χρώμα σε καρμπόν Συλλογή: Amrita Jhaveri Hieroglyphics V: Qat-jhaptaal (2008) Silver paint on carbon paper Collection of Amrita Jhaveri Hieroglyphics V: Qat-jhaptaal (Ιερογλυφικά V: Qat-jhaptaal, 2008) Ασημένιο χρώμα σε καρμπόν Συλλογή: Amrita Jhaveri 127/1 66 Hieroglyphics V: Qat-keherva jhoomar (2008) Silver paint on carbon paper Collection of Amrita Jhaveri Hieroglyphics V: Qat-keherva jhoomar (Ιερογλυφικά V: Qat-keherva jhoomar, 2008) Ασημένιο χρώμα σε καρμπόν Συλλογή: Amrita Jhaveri Lala Rukh Rupak (2016) Drawings from a series of eighty-eight Ink on paper Rupak (2016) Σχέδια από σειρά ογδόντα οκτώ σχεδίων Μελάνι σε χαρτί Rupak (2016) Digital animation, sound 6:30 min. Special thanks to Qasim Ahmad and Saleh Samee Rupak (2016) Ψηφιακό animation, με ήχο 6:30’ Ευχαριστίες στους Qasim Ahmad και Saleh Sameehttps://natashaginwala.com/wp-content/uploads/2017/12/d14_lala_rukh_rupak_c2a9_mathias_voelzke-016.jpgd14_Lala_Rukh_Rupak_©_Mathias_Voelzke2017-12-27T06:03:23+00:00monthlyhttps://natashaginwala.com/2017/12/27/a-conversation-with-natasha-ginwala/https://natashaginwala.com/wp-content/uploads/2017/12/conversations-nastasha-ginwala-ranahamadehcopy_720_0.jpgConversations-Nastasha Ginwala-RanaHamadehcopy_720_0https://natashaginwala.com/wp-content/uploads/2017/12/conversations-nastasha-ginwala-karrabingmayngrender14_720_0.jpgConversations-Nastasha Ginwala-KarrabingMayNGRender14_720_0https://natashaginwala.com/wp-content/uploads/2017/12/dsc_9192_mjpg.jpgDSC_9192_mjpg2017-12-27T05:47:31+00:00monthlyhttps://natashaginwala.com/2017/12/26/corruption-everybody-knows/https://natashaginwala.com/wp-content/uploads/2017/12/assets_72dpi-jpg-1440-jpg2000.jpegassets_72dpi.jpg 1440.jpg,20002017-12-26T13:25:20+00:00monthlyhttps://natashaginwala.com/2017/12/26/riots-slow-cancellation-of-the-future/https://natashaginwala.com/wp-content/uploads/2017/12/akom990001_2_id.jpgAKOM990001_2_ID2017-12-26T13:02:38+00:00monthlyhttps://natashaginwala.com/2013/07/21/imperial-pastoral-on-constructions-of-rurality/2013-07-21T03:41:15+00:00monthlyhttps://natashaginwala.com/2013/02/19/the-5th-india-art-fair-and-parallel-events/2013-02-19T20:39:32+00:00monthlyhttps://natashaginwala.com/2012/11/04/the-museum-of-rhythm-a-constellation-of-anomaly/https://natashaginwala.com/wp-content/uploads/2012/11/38_26.jpg38_26Channa Horwitz „Sonakinatography Composition III“, 1969 Pencil on paper 43 x 37,5 cm Courtesy of the artist „Movement #2, Sheet B, 1st Variation“, 1969 Pen on Paper, 50 x 35 cm Courtesy: Aanant & Zoo https://natashaginwala.com/wp-content/uploads/2012/11/a3l3406.jpg_A3L3406Gerhard Rühm RUND, 195?/1998 Fotomontage, Collage on thin cardboard Series of 24 works, each 29,7 x 21 cm Courtesy: Christine König Galerie, Vienna https://natashaginwala.com/wp-content/uploads/2012/11/20121029-img_6199.jpg20121029-IMG_6199Indigo and the Founding of Fingerprinting (Dactylography) with photographs by Oscar Mallitte (1877) and Ajrakh textile, courtesy: Irfan Khatri, Ajrakhpur, Kutch (India) 2011-12https://natashaginwala.com/wp-content/uploads/2012/11/20121029-img_6183.jpg20121029-IMG_6183Yashas Shetty Notes from Utopia, 2011 – ongoing Courtesy of the artist https://natashaginwala.com/wp-content/uploads/2012/11/38_02.jpg38_02Installation View: includes Les Cris de Paris [The Cries of Paris] (1900), Ken Jacobs Ontic Antics Starring Laurel and Hardy: Bye, Molly (2005) and a Partial History of the Metronome (various documents and Wittner Owl Metronome) https://natashaginwala.com/wp-content/uploads/2012/11/20121029-img_6246.jpg20121029-IMG_6246Installation view: works by Simone Forti, Frank B. Gilbreth, Eadweard Muybridge and various documents. https://natashaginwala.com/wp-content/uploads/2012/11/dsc00902.jpgDSC00902'A Partial History of Metronomes', in Museum of Rhythm at Taipei Biennial 2012: Modern Monsters / Death and Life of Fiction 2012-12-10T23:09:51+00:00monthlyhttps://natashaginwala.com/2012/11/10/image-2/2012-12-10T19:39:16+00:00monthlyhttps://natashaginwala.com/2012/11/04/the-museum-of-rhythm-at-taipei-biennial-2012/2012-12-10T18:56:43+00:00monthlyhttps://natashaginwala.com/2012/11/04/there-was-a-country-where-they-were-all-thieves-2/2012-12-10T18:56:14+00:00monthlyhttps://natashaginwala.com/2012/12/10/museum-of-rhythm-short-film-interview/2012-12-10T18:55:12+00:00monthlyhttps://natashaginwala.com/2012/11/04/image/2012-11-05T00:04:35+00:00monthlyhttps://natashaginwala.com/2012/11/04/inexactly-this-kunstvlaai-festival-of-independents-2012/2012-11-04T23:54:46+00:00monthlyhttps://natashaginwala.com/2012/11/04/in-conversation-with-grant-watson/2012-11-04T23:21:24+00:00monthlyhttps://natashaginwala.com/2008/07/25/frozen-pilgrim/2012-04-14T15:59:26+00:00monthlyhttps://natashaginwala.com/2008/07/22/sunrise-at-hut-bay-little-andamans/2012-04-14T15:58:50+00:00monthlyhttps://natashaginwala.com/2008/10/09/kiska-ravan/https://natashaginwala.com/wp-content/uploads/2008/10/dscf1517.jpgKiska Ravan?2012-04-14T15:58:06+00:00monthlyhttps://natashaginwala.com/2010/02/14/living-the-age-of-insecurity/2012-04-14T15:57:03+00:00monthlyhttps://natashaginwala.com/2008/10/24/listening-camera-a-black-and-white-memoir-of-jazz-moments/https://natashaginwala.com/wp-content/uploads/2008/10/listening_camera.jpgListening Camera - A Black and White Memoir of Jazz Moments2012-04-14T15:54:29+00:00monthlyhttps://natashaginwala.com/2009/05/29/theyyam-through-the-lens-of-bakhtinian-thought/2012-04-14T15:53:54+00:00monthlyhttps://natashaginwala.com/2010/04/19/f-n-souza-remembrane-of-things-to-come/https://natashaginwala.com/wp-content/uploads/2010/04/souza3.jpgsouza3Untitled / F.N.Souza / chemical alterations on paper / 12 x 10 inches / 1970 2012-04-14T15:53:28+00:00monthlyhttps://natashaginwala.com/2010/04/19/resemble-reassemble-a-revolutionary-dispositif/https://natashaginwala.com/wp-content/uploads/2010/04/maryam-_amber_hammad-2006-digital_print_fs.jpgMaryam-_Amber_Hammad-2006-Digital_Print_fsMaryam / Amber Hammad / 2006 / Digital Print / Courtesy: Devi Art Foundation2012-04-14T15:52:46+00:00monthlyhttps://natashaginwala.com/2010/04/29/the-way-things-go-theorizations-and-resistances/2012-04-14T15:51:59+00:00monthlyhttps://natashaginwala.com/2010/07/27/workinprogress-dialogues-on-curation-part-1-in-collaboration-with-fica/https://natashaginwala.com/wp-content/uploads/2010/07/picture1.jpgPicture12012-04-14T15:50:51+00:00monthlyhttps://natashaginwala.com/2010/10/03/interview-with-geeta-kapur-for-art-and-deal-magazine/2012-04-14T15:49:06+00:00monthlyhttps://natashaginwala.com/2010/11/09/86/https://natashaginwala.com/wp-content/uploads/2010/11/picture3.jpgPicture32012-04-14T15:47:58+00:00monthlyhttps://natashaginwala.com/2011/02/16/notes-on-the-reader-dialogues-on-curating-part-2/https://natashaginwala.com/wp-content/uploads/2011/02/dialogue_on_curating_invite_final-1.jpgdialogue_on_curating_invite_final.12012-04-14T15:47:26+00:00monthlyhttps://natashaginwala.com/2010/07/27/volte-face-f-n-souza-retrospective-exhibition-review/https://natashaginwala.com/wp-content/uploads/2010/07/souza11.jpgsouza1https://natashaginwala.com/wp-content/uploads/2010/07/souza1.jpgsouza1Head / F.N.Souza / acrylic on board / 20 x 24 inches / 19642012-04-14T15:46:20+00:00monthlyhttps://natashaginwala.com/2011/02/16/white-on-white-on-white/https://natashaginwala.com/wp-content/uploads/2011/02/dscf3901.jpgExhibition View (ABSALON at KW, Berlin)Exhibition View (ABSALON at KW, Berlin)2012-04-14T15:45:53+00:00monthlyhttps://natashaginwala.com/2011/02/16/96/https://natashaginwala.com/wp-content/uploads/2011/02/17-1-3-hito_artists-at-work_.jpgTB10, Installation view: New works by Hito Steyerl and Superflex TB10, Installation view: New works by Hito Steyerl and Superflex 2012-04-14T15:45:45+00:00monthlyhttps://natashaginwala.com/2011/05/05/co-editing-upcoming-issue-of-take-magazine-5/https://natashaginwala.com/wp-content/uploads/2011/05/262108_189731351076244_100001181407565_411746_5792472_n.jpg262108_189731351076244_100001181407565_411746_5792472_n2012-04-14T15:43:12+00:00monthlyhttps://natashaginwala.com/2011/07/12/fluiten-in-het-donker-project-by-the-curatorial-programme-1011/https://natashaginwala.com/wp-content/uploads/2011/05/film3.jpgfilm3Buster Keaton on the set of Samuel Beckett's FILM (1965) Courtesy of Evergreen Review2012-04-14T15:42:41+00:00monthlyhttps://natashaginwala.com/2011/07/12/on-afterall-online-geeta-kapur-on-the-curatorial-in-india-part-1-natasha-ginwala/2012-04-14T15:41:43+00:00monthlyhttps://natashaginwala.com/2011/09/01/%e2%80%a6of-conquest-resonance-and-falling-notes-on-some-left/https://natashaginwala.com/wp-content/uploads/2011/09/sungh-wan-kim_3311.jpgsungh-wan-kim_331'Some Left' by Sung Hwan Kim. Photography: Sal Kroonenberg. © If I Can't Dance, 2011https://natashaginwala.com/wp-content/uploads/2011/09/sungh-wan-kim_331.jpgsungh-wan-kim_331'Some Left' by Sung Hwan Kim. Photography: Sal Kroonenberg. © If I Can't Dance, 20112012-04-14T15:41:00+00:00monthlyhttps://natashaginwala.com/2012/03/04/book-review-making-art-global-part-1-the-third-havana-biennial-1989-by-rachel-weiss-and-other-authors-afterall-books-2011/https://natashaginwala.com/wp-content/uploads/2012/03/62c74_jan4_afterall.jpgBook Cover 2012-04-14T15:39:49+00:00monthlyhttps://natashaginwala.com/2012/03/04/here-lies-a-misreckoned-empire/https://natashaginwala.com/wp-content/uploads/2012/03/sam_1346.jpgSAMSUNG DIGITAL CAMERAhttps://natashaginwala.com/wp-content/uploads/2012/03/sam_13381.jpgSAMSUNG DIGITAL CAMERAhttps://natashaginwala.com/wp-content/uploads/2012/03/sam_1364.jpgSAMSUNG DIGITAL CAMERA2012-04-14T15:38:57+00:00monthlyhttps://natashaginwala.com/2012/03/04/film-screening-discussion-sisters-at-clark-house-initiative/https://natashaginwala.com/wp-content/uploads/2012/03/banners.jpgSisters bannersImage credit: Southall Black Sisters2012-04-14T15:38:13+00:00monthlyhttps://natashaginwala.com/2012/04/14/222/https://natashaginwala.com/wp-content/uploads/2012/04/dsc00103.jpgDSC00103https://natashaginwala.com/wp-content/uploads/2012/04/derailments-eflyer-v3-012.jpgDerailments - eflyer - v3-012012-04-14T15:35:01+00:00monthlyhttps://natashaginwala.com/2009/09/10/a-piece-of-sky-a-walkabout-at-india-art-summit-%e2%80%9809/https://natashaginwala.com/wp-content/uploads/2009/09/black-river-el-anatsui_500.jpgblack-river-el-anatsui_5002011-06-14T19:02:08+00:00monthlyhttps://natashaginwala.comdaily1.02020-01-02T10:22:43+00:00